The Two Little Bullfinches (Solo Piccolo 1 Part)
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SATB Divisi - c. Sample Recording by Anthony deMare. SATB - c. Sample Recording by Dale Warland Singers. Trombone and percussion - c. Sample recording by Clara Osowski and Mark Bilyeu. Soprano, piano - c. Leader and unison group optional 2- and 4-part sections - c. Sample Recording by the Dale Warland Singers. SA, clarinet, piano - c. SATB, trumpet, handbells, organ - c. SATB, soprano solo, 2 trumpets, field drum - c.
SATB, 2 clarinets, 2 bassoons, 2 horns, strings - c. Paul Alumnae Chapter; SATB, piano - c.
Table of Sheet Music
SATB and piano; c. Glenn R. Gregg, conductor; SATB divisi; string quartet - c. SSAA, oboe, percussion, harp - c. Sample Recording by Women Voice. Sample recording by the Dale Warland Singers. SATB, piano 4 hands - c.
Part I - From Manchester to Hoy, 1934–1970
Butler's Monument in Westminster Abbey. Sample Recording by Kirsten Uhlenberg. SATB, congregation, organ, handbells - c. Violin - c. Cummings ; for reduction. SSA, piano - c. David Moore. SATB, 2 trumpets, 2 trombones, organ - c. SSAA, vibraphone; c. SATB divisi, percussion - c. SATB divisi, soprano and tenor solos - c. SATB, fiddle, mandolin, banjo, guitar, bass - c. Sample recording by Bradley Greenwald and Christopher Kachian. Francis of Assisi for the Gordon College Choir; Thomas Brooks.
Sample recording by Maria Jett and John Jensen.
Sample recording by Maria Jette and Tom Linker. A song cycle for mezzo, baritone, and piano; c.
- Henri Kling - Free sheet music to download in PDF, MP3 & MIDI;
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- The Two Little Bullfinches (Solo Piccolo 1 Part) | Sheet Music Now.
Sample recording by the Diane Green Vocal Ensemble. Micah sample recording by Monroe Crossing and VocalEssence. Sample Recording by a gaggle of Minnesota choirs conductor: Kathy Romey. SATB, organ; c. SATB; treble choir; gospel quartet; baritone solo; bluegrass band fiddle, mandolin, banjo, guitar, bass - c. For this reason, an important project for this site is to upload as much out-of-copyright music, for flageolets, as possible. If you have any, please do contact me as I would be delighted to digitalise any scans of music offered.
Rather than offer scans of the original prints, my preferred way of digitalising music is to re-engrave, usually using Lilypond , so as to produce clean PDFs, suitable for playing. Some of the earlier music on the site was engraved with Sibelius which produced less satisfactory results.
Whilst I am confident that most scores are accurate, some of the earlier ones from or contain engraving inelegances, for which I apologise. A small number of flageolet music has also been re-published by others and is discussed separately. Click for the score and parts as a pdf or listen to the piece as a midi file. It uses the entire range of the instrument down to low G played with a finger in the bell and is quite challenging, with its repeated, staccato triplets.
The first serenade is available as a score and parts and midi file; the remaining serenades are fragmentary with the flageolet part being available as a pdf score and midi file. Although the Collinet family were prolific composers and publishers of music for the French flageolet, very little of it survives. As with many virtuosic pieces from the same period, the themes appear to be a mixture of popular and original tunes, followed by increasingly fast and difficult solo elaborations.
This edition is prepared from printed set of parts for the first serenade. Whilst the title page and music is not entirely clear, it seems likely that the violin part is intended as an alternative to the piano since there are passages where it either redundantly duplicates the piano or diverges slightly from it. The music has only been lightly edited to correct obvious mistakes and to copy across articulations that are present in one part but not another.
The flageolet part in the original is transposed and so I have also provided a second part in C to allow the piece to be played on the piccolo or other instruments.
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With the set of parts I bought, I found a single sheet which contained an additional sheet which reprinted the flageolet part for the third and fourth variations for the first serenade and the second to fifth serenades, ended half-way through the second variation for the fifth. The purpose of this additional part is not clear to me: whilst it reprints the music for the third and fourth variations of the first serenade, it does not do identically. It omits a few bars towards the end of each variation where the accompanying instruments have the tune and the articulation is more detailed than in the full part.
It is possible that it was meant for playing unaccompanied but some of the variations played without the accompaniment would not make very satisfying music. Nevertheless, I have reprinted the available music for the second to fifth serenades as an indication of how the work continued.
Again, it has only been lightly edited, with the exception of bars of the second serenade where the original contains too few beats. Click for the score or flageolet part as a pdf or download the whole score as a Sibelius file. Piccolo, bassoon, piano Composed by Henri Kling. Trombone - Level 3 Composed by Henri Kling. Edited by Fatch. Trumpet - Level Composed by Henri Kling. Horn - Level 8 Composed by Henri Kling. Arranged by Robert Rainford. Arranged for 2 solo piccolos and flute ensemble.
Published by Forton Music FT. Concert band A Novelty Polka Duo.
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Arranged by Don Stewart. Solo piccolo, trombone, and orchestra - Grade 4 Composed by Henri Kling. Arranged by Nora Kile. Duration "6'12""". Tuba 2 - Level 3 Composed by Henri Kling. Solo Pieces. Trombone 2 - Level 3 Composed by Henri Kling.